Every new writer wants the same thing after typing FADE OUT: someone who will read the script and say honestly what works. Professional coverage can cost anywhere from about $80 to more than $500 per script and take days or weeks. AI coverage tools promise a report in minutes for roughly $9 to $50. That […]
Archive for the ‘All Screenwriting’ Category
The 2026 WGA Deal: What It Means for New Writers
Writers Guild members ratified a new four-year contract with the major studios earlier this year, and the vote wasn’t close: about 90 percent said yes. The 2026 Minimum Basic Agreement runs from May 2, 2026 through May 1, 2030. If you have never held a guild card, that can feel like someone else’s business. It […]
Theatrical Is Back: What It Means for New Writers
For years, the advice given to new screenwriters leaned heavily toward streaming: write for television, write limited series, don’t count on theatrical because original movies rarely got made and even fewer got seen in an actual theater. If you’ve built your plans around that advice, it’s worth noting that the picture has changed meaningfully in […]
Options vs. Spec Sales: How Scripts Actually Get Bought
New screenwriters often use the phrase “sell my script” to describe every possible good outcome, but in practice, getting your script picked up seldom happens the way people imagine. Understanding the difference between an option and an outright sale, and what actually happens in between, will save you from confusion and disappointment when an offer […]
Screenwriting Software in the AI Era
If you’re just starting out, choosing screenwriting software can feel like a strangely high-stakes decision. Final Draft has been the industry standard for years, but newer tools have entered the space with built-in AI features, and it’s not always obvious which one is actually right for a beginner versus which one just has the flashiest […]
Writing for a Global Audience
New screenwriters are usually taught to write what they know, and to picture an American audience when they think about who’s watching. That instinct made sense for decades, but the streaming era has quietly rewired who’s actually deciding what gets made, and it’s worth understanding before you settle on your next project. The shift is […]
Breaking In Without Connections
Almost every new screenwriter runs into the same discouraging thought at some point: everyone who makes it seems to know someone already. It can feel like the industry is a closed loop, where the people who get read are the people whose relatives, professors, or former roommates already work in film and television. That perception […]
Are Screenwriting Contests Still Worth It?
Anyone who’s spent time researching how to break into screenwriting has run into the same advice: enter contests. There are dozens of them, entry fees range from free to over a hundred dollars, and the promise is always similar: that placing well will get your script in front of the people who can actually buy […]
Dealing With Writer’s Isolation
How to Prevent Writer Isolation and Boredom by Steven Kirwan Screenwriters are a unique breed because we tend to see the world in scenes. The more prolific the writing, the less contiguous everyday life can seem. Spending hours, days, or even weeks cloistered in our writing caves can isolate us from friends, family, and reality, […]
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